Features

This time in Artist Q&A we profile Hamster Cage Studios' Mary Profitt.

This is the first "painting camouflage pattern SBS" from Andy Evans featured on Historicus Forma. Check it out; it shows a very interesting technique that could help you immensly if you are thinking of painting Splitternmuster.

A questionairre for another great artist from Malta; Ray Farrugia.

An interview with master sculptor of Vietnam figures and owner of BRAVO-6 ; Vladimir Demchenko

The winners of FOTM of the second 6 months of 2008

The winners of FOTM of the second 6 months of 2007

The winners of FOTM of the first 6 months of 2007

With over 11,600 page views (at the time writing) John Pradarelli’s “John’s Painting Class III” has become a quintessential reference for newcomers to figure face painting. We now have the pleasure of presenting it to you as a feature article.

A lot of camouflage schemes are a pain to paint in small scales, the British DPM pattern is one of them, Keith Forsyth takes us through some simple basic steps in creating it in miniature.

Mario Matijasic demonstrates the methods he used to replicate the new US Army ARPAT digital camouflage on Airborne Miniature's recent 120mm US Army Soldier in Iraq.

Pete Becerra Jr. shares his techniques of painting three different WWII German camouflage schemas: Splittermuster; Platanenmuster; and Rauchtarnmuster.

In this month's Artist Q&A we profile Pegaso Models' very own Pietro Balloni.

David Blacker shares his techniques on how to paint British DPM and Pakistani Bhutto camouflages.

This month we head over to Europe, as we hang out with Gino Poppe, from Oost-Vlaaderen, Belgium.

Vladimir Demchenko demonstrates painting the complex Soviet WW2 pattern, known as ‘Fallen Leaves’.

This month, in our pilot edition of the Historicus Forma Artist Q&A, we chat to Joe Hudson, from Missouri, USA.

Mario Matijasic (Maki) brings us an article describing how he built and painted his award winning Operation Iraqi Freedom vignette in 120mm.

90mm figures seemed always to attract me a lot, despite obvious difficulties due to their bigger size. In 75mm and 90mm figures you’re not excused on any kind of fault like you could possibly be on 54mm! But this lovely figure sculpted by Andriano Larucci